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Coteaux du Languedoc - Terrasses du Larzac Domaine de La Pèira en Damaisèla Les Flors Karine Ahton et Robert Dougan  2019 - Lot of 1 bottle - 0
Coteaux du Languedoc - Terrasses du Larzac Domaine de La Pèira en Damaisèla Les Flors Karine Ahton et Robert Dougan  2019 - Lot of 1 bottle - 1
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Coteaux du Languedoc - Terrasses du Larzac Domaine de La Pèira en Damaisèla Les Flors Karine Ahton et Robert Dougan 2019

Black fruitFood-friendly wine

14.5%

0.75L

Intensity

A superb Terrasses du Larzac wine produced by the composer of the original soundtrack to the film The Matrix! Elegant and balanced, this wine is full and fruity with a beautiful fresh quality. A real success.

More info

Las Flors de la Pèira is a very nice, elegant and balanced cuvée. The nose expresses aromas of red berries and blackberry with a hint of spice. The palate is both fleshy and juicy with a pleasant fresh quality. A very well-made wine.

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Lot presentation

Coteaux du Languedoc - Terrasses du Larzac Domaine de La Pèira en Damaisèla Les Flors Karine Ahton et Robert Dougan 2019

The wine

Las Flors de la Pèira is a very nice, elegant and balanced cuvée. The nose expresses aromas of red berries and blackberry with a hint of spice. The palate is both fleshy and juicy with a pleasant fresh quality. A very well-made wine.

About the Producer La Pèira en Damaisèla

Located in Saint-Saturnin-de-Lucian, half way between La Grange des Pères and Daumas-Gassac, the La Pèira en Damaisèla domain is a recent creation (2004). Karine Ahton (a Languedoc lawyer) and Robert Dougan (an Australian composer) are the founders of this 11-hectare domain in the Terrasses du Larzac, which they immediately set out to position at the top of the range, with a highly quality-oriented approach. Work in the vines is very precise and meticulous; in the winery, the key is as little intervention as possible. This domain has been praised by international critics (Robert Parker, Jancis Robinson, etc.), as "Many observers consider this to be the most exciting estate in the Languedoc" (R. Parker).

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